

Paige
Rowland, Holly Mosher, Bruno Bonugli, and Christian Otjen, while
filming Lady in the Box. |
HOLLY
MOSHER
Producer
After
graduating with honors from NYU's prestigious Tisch School of the
Arts film program, Holly spent two years in Brazil working as an assistant
picture and sound editor on four feature films, including the Oscar
nominated O Quatrilho, and Tieta do Agreste starring Sonia Braga.
Returning to the United States, she contributed to the well-known
PBS productions, Reading Rainbow and Puzzle Place
and then began producing commercials for Pyramid Pictures.
Having
a background in everything from pre to post production helped her
to successfully produce Lady in the Box. She also recently
completed the documentary In the Eyes of a Child. Her knowledge
in all areas of the film making process made her successfully control
the production of Lady in the Box. She is confident that
Pied Piper has a winning formula with the same team members.
CHRISTIAN
OTJEN
Director and Writer
Christian Otjen is the writer and director
of Reeseville. He also wrote and directed Lady in the
Box, a thriller, which enjoyed theatrical success in Milwaukee,
and is currently being distributed worldwide. Christian also wrote,
directed and produced Frightened To Death a feature length
horror film that was distributed internationally.
Christian
Otjen started his film career at the University of Southern California
(USC). Otjen formed Doomed Productions Ltd. in 1987 to produce Frightened
to Death. He then followed up this success by writing and directing
Lady in the Box, which garnered interest on the festival
circuit.

Jerry
Holway filming Jack Nicholson in As Good As It Gets. |
JERRY
HOLWAY
Director of Photography
Jerry Holway is a talented filmmaker, who
has spent 25+ years in the entertainment business. In 1998, he earned
an Academy Award for Technical Achievement as the co-inventor of the
Skyman, and currently serves as the president of the Steadicam Operators
Association.
Jerry
Holway was the Director of Photography on Lady in the Box
and Jericho, as well as working camera on such films as:
In Dreams, Rounders, Celebrity, The
Out of Towners, As Good As It Gets, Donnie Brasco,
The Apostle, The Long Kiss Goodnight, and All
the Pretty Horses, as well as television programs and commercials
such as Sopranos, Glory, The Mob, NFL
Films, and Victoria’s Secret.
BARI
AND TOM BURMAN
Special Effects
Bari and Tom Burman are universally regarded
among the most experienced and finest make up effects artists in the
world. After eight years of gallery exhibitions that toured the country,
Bari spent several years with Universal Studios make up department
quickly regarded for her fine-art styled work in tattoos, body paintings,
and exotic design. Tom initially made his mark on film history through
his work on the film Planet of the Apes, soon after coining
the term “Special Make Up Effects.” After joining forces,
this multiple Emmy Award winning duo continued to take Hollywood by
storm through their special effects mastery on the feature films Speed,
Waterworld, Invasion of the Body Snatchers, The Mask of Zorro, Carrie
III, Godfather III, Die Hard II, The Untouchables, Teen Wolf, Close
Encounters, Casualties of War, Scrooged, and Star Trek III.
Television series credits include the X-Files, Tracey Ullman Show
and Chicago Hope.
CATHERINE
MACDONALD
Assistant Director
Our 1st Assistant Director, Catherine McDonald
has been working in the film business for 20 years. After studying
film at Ealing College in London, she has worked on projects as varied
as Sleepless in Seattle, Basic Instinct, The Western, Independence,
Martha Stewart’s 1st Christmas Special, 3 Emmy awarded
episodes for the children’s show Reading Rainbow, as
well as the 1st season of Law & Order.
She
also just came off of the award winning HBO film, Real Women Have
Curves. Although Texan, through and through, she lived in Manhattan
for over 10 years and has now settled in the beach community in Venice,
California (psst…she still has her Texas driver’s license).
SUSAN
KAUFMANN
Costume Designer
Susan Kaufmann has designed and supervised
wardrobe for feature films, television, and the stage for the past
15 years. Born and raised in Chicago, she got her Bachelors degree
in Costume Design from Columbia College, and her Associates Degree
in Fashion Design, from Harpers College. Susan’s diverse feature
film credits include, Joshua, Kissing a Fool, At First Sight,
Heaven is a Playground, and Shaking the Tree. Television
credits include the series What About Joan, Cupid and Early
Edition. Her film credits as Costume Supervisor, include 3 Robert
Altman films, Dr. T and The Women, Cookies Fortune, and The
Gingerbread Man, as well as My Best Friends Wedding
and Rudy.

Emily
Becker. |
EMILY
BECKER
Production Coordinator
Emily Becker joins the crew of Reeseville
as Production Coordinator after a four-year stint as Programming and
Development Coordinator for the Florida Film Festival. After graduating
from the University of Central Florida with a BFA in Theatre, Emily
has filled a variety of roles including Game Show Host, Puppeteer
and Casting Associate. She is currently escaping the heat of Orlando,
FL where she helps create new shows and attractions at Universal Creative
for all of Universal Studios Theme Parks.
CHRISTIAN
GUEVARRA
Prop Master
Christian Guevarra is an accomplished painter
and sculptor who has worked for over a decade in the film and theater
industry. His credits include art direction and design work for Haxan
Flims’ Blair Witch Project and Curse of the Blair
Witch.
He most
recently served as Production Designer for the feature film Barhopping,
an LA Indie produced by John Travolta.

|
COMPLETE
CREW LIST |
| Associate
Producers |
Dan
Kattman |
|
|
Lynde
Martino |
|
|
John
Ogden |
| Unit
Production Manager |
Holly
Mosher |
| 1st
Assistant Director |
Catherine
Marie McDonald |
| 2nd
Assistant Director |
Bekki
Vallin |
| Production
Coordinator |
Emily
Becker |
| Assistant
Production Coordinator |
Joseph
Garcia |
| Art
Director |
Merje
Veski |
| Prop
Master |
Christian
Guevarra |
| Prop
Assistant |
Thomas
Everts |
| Art
Assistant |
Greg
Rebis |
| Art
PA |
David
Clausen |
| Prop
Mockups |
Alyson
Tomcek |
| Director
Of Photography |
Jerome
Holway |
| Camera
Operator |
David
Taicher |
| 1st
Assistant Camera |
William
Eichler |
| 2nd
AC/Loader |
Brad
Baker |
| Video
Assist |
Zachary
Gannaway |
| Still
Photographer |
Katherine
Bomboy |
| Additional
Camera Assistant |
David
Howard |
| Casting |
Bruce
H. Newberg C.S.A. |
| Casting
Assistant |
Patrick
David |
| Local
Casting |
Marna
Riordan @ Jennifer's Talent |
|
|
Stacey
Fenney @ Jennifer's Talent |
| Wardrobe
Supervisor |
Susan
Kaufmann |
| Wardrobe
Assistant |
Lizzie
Cook |
| Wardrobe
PA |
Kristina
Christensen |
| Editor |
Stephen
Goetsch |
| Editing
Equipment |
Provided
by LA Digital Post |
| Key
Grip |
Darryl
Wilson |
| Best
Boy Grip |
Khris
Bennett |
| Grip |
Mel
Kekuewa |
| Grip |
Eric
Wheeler |
| Additional
Grip |
Jesse
Homan |
| Additional
Grip |
Christy
Taddeo |
| Additional
Grip |
Evin
Huntemann |
| Grip
PA |
Joey
Trujillo |
| Camera
Car Tech |
William
R. Nielsen Sr. |
| Camera
Car |
Dennis
De La Mata |
| Rain
Effects |
Dieter
Sturm |
| Key
Make-Up & Make-Up FX |
Lyn
Marie Neuenfeldt |
| Hairstylist |
Gina
Ricard-Bealhen |
| Additional
Hair |
Cyndee
A. Amroze |
| Additional
Make-Up |
Vanessa
Hand Beard |
| Special
Effects |
Clay
Simchick |
| Location
Manager |
Nicholas
Langholff |
| Locations
Assistant |
Peter
Olsen |
| Script
Supervisor |
Candy
Bennici |
| Key
Production Assistant |
Amy
Sumor |
| Office
PA |
Rachel
Robinson |
| Office
Intern |
Brittney
Ninmann |
| Production
Assistants |
Jasmine
Ballou |
|
|
Charlie
Brooks |
|
|
Matthew
Carpenter |
|
|
Christine
Donovan |
|
|
Josiah
Vilmin |
| Stand-in |
Johathan
Wainwright |
| Catering
by Steve |
Steve
Ziemek |
| Additional
Caterer |
Matthew
Hall |
| Craft
Services |
Jeffrey
Hurt |
| Legal
Department |
Reinhart,
Boerner, Van Deuren, s.c. |
| Insurance
by |
Truman
Van Dyke |
| Gaffer |
Tom
Clark |
| Best
Boy Electric |
Paul
Arnold |
| Electrician |
Kyle
Hutson |
| Electrician |
David
Williamson |
| Additional
Electrician |
Tom
Mathews |
| Additional
Electrician |
Ronald
Dragosh |
| Electrician
PA |
Anthony
D. Silas |
| Sound
Mixer |
Jacob
D. Collins |
| Boom
Operator |
Kevin
Becker |
| Transportation
Coordinator |
Thomas
Labisch |
| Transportation
Captain |
Jimmy
Modzelewski |
| Transportation |
Kurt
Kinderfather |
| Transportation
provided by |
Movies
in Motion |
| Security |
Scott
Bahr, David Beal, Don Beal, James Ketchem, Marcus Kirchoff,
Kevin Kluck, Donald Meier, Daniel Mullin, Curtis Ninmann, Doug
Ninmann, Richard Paro, Michael Reissmann, Kevin Rohde, Kevin
Schultz, Jason White,
|
| Special
Effects by |
Burman
Studios |
|
|
Tom
Burman |
|
|
Bari
Burman |
|
|
John
Biggs |
|
|
Scott
Conner |
|
|
Susan
La Prelle |
|
|
Mark
Rappaport |
| SFX
Lighting |
David
Hayball |
| Forensic
Consultants |
Suzanne
Abel |
|
|
Brett
Harding |
| Website |
Kristian
Larsen |
| Post
Production Sound Services |
Todd
AO Burbank |
| Supervising
Sound Editor |
Jason
George |
| Re-Recording
Mixers |
Jim
Fitzpatrick |
|
|
Lisle
Houston Engle |
|
|
Aaron
Levy |
| Assistant
Editors |
Carrie
Tippets |
|
|
Hugh
Murphy |
|
|
Eric
Lamb |
| Foley
Mixer |
Lucy
Sustar |
| Foley
Artists |
Michael
Broomberg |
|
|
S.
Diane Marshall |
| ADR
Mixers |
Ron
Bedrosian |
|
|
Weldon
Brown |
|
|
Greg
Steele |
| Conductor |
Kevin
Saunders Hayes |
| Orchestra
Manager |
John
Van Houten |
| Concertmaster |
Robert
F. Peterson |
| Violins |
Michael
B. Markman |
|
|
Charles
H. Everett |
|
|
Geraldo
B. Hilera |
|
|
Xiao
N. He |
| Celli |
Arman
Ksajikian |
|
|
Venessa
B. Freebain-Smith |
| Basses |
Karl
Vincent-Wickliff |
|
|
Norman
Lydwin |
| Percussion |
Joel
D. Alpers |
| Tuba |
John
Van Houten |
| Chorus |
Vox
Lumiere |
| Orchestrator |
Kevin
Saunders Hayes |
| Music
Preparation |
John
Van Houten |
| Negative
Cutter |
Richard
Flores Negative Cutting |
| Color
Timer |
Jim
Williams |
| Dolby
Sound Consultant |
Trevor
Ward |
| Title
Design |
Douglas
Carter |
| Titles
by |
Io
Films |
MUSIC
AND CONTACT INFO:
Music
Supervision by Yvonne McDonald
Heart
In Hand
Performed By Brenda Lee
Written By Shari Sheeley and Jackie De Shannon
Courtesy Of MCA Records under license from Universal Music Enterprises
Don’t
Let Me Go
Performed By Jesse Sykes and The Sweet Hereafter
Written By Jesse Sykes
Courtesy Of Barsuk Records / Burn Burn Burn
Somebody
Else
Perfomed By Evangeline
Written By Chris Cline
Licensed courtesy of Sugaroo!
I
Wish I Was The Moon
Performed By Neko Case
Written by Neko Case and Jon Rauhouse
Neko Case appears courtesy of Mint Records & Bloodshot Records
Lazy
Afternoon
Perfromed By Bree Sharp
Written By Bree Sharp, Don Dilego and Simon Austin
Courtesy Of Ahimsa Records / Union Recording Group by arrangement
with Music For The Masses
ALL
RIGHTS AVAILABLE